Prominent users of Bembo have included Penguin Books, the Everyman's Library series, Oxford University Press, Cambridge University Press, the National Gallery, Yale University Press and Edward Tufte. Since its creation, Bembo has enjoyed continuing popularity as an attractive, legible book typeface. Monotype also created a second, much more eccentric italic for it to the design of calligrapher Alfred Fairbank, which also did not receive the same attention as the normal version of Bembo. It followed a previous more faithful revival of Manutius's work, Poliphilus, whose reputation it largely eclipsed. Monotype created Bembo during a period of renewed interest in the printing of the Italian Renaissance, under the influence of Monotype executive and printing historian Stanley Morison. The italic is based on work by Giovanni Antonio Tagliente, a calligrapher who worked as a printer in the 1520s, after the time of Manutius and Griffo. Bembo is named for Manutius's first publication with it, a small 1496 book by the poet and cleric Pietro Bembo. It is a member of the " old-style" of serif fonts, with its regular or roman style based on a design cut around 1495 by Francesco Griffo for Venetian printer Aldus Manutius, sometimes generically called the "Aldine roman". Inhaltsverzeichnis 1 Biografie 2 Schriften von Martin Majoor 2.1 FF Scala 2.Bembo is a serif typeface created by the British branch of the Monotype Corporation in 1928–1929 and most commonly used for body text. Oktober 1960 in Baarn, Niederlande) ist ein niederländischer Schriftentwerfer und Typograf. Devised by Maximilien Vox in 1954, it was adopted in 1962 by the Association Typographique Internationale (ATypI). VOX-ATypI classification - In typography, the Vox ATypI classification makes it possible to classify typefaces in eleven general classes. Industry Comics Founded 1934, by Malcolm Wheeler Nichols … Wikipedia Contents 1 Serif 1.1 Slab serif 2 Sans serif 3 Semi serif … WikipediaĭC Comics - Type Subsidiary of Warner Bros. List of typefaces - This is a list of typefaces, which are separated into groups by distinct artistic differences. Jenson acted as Master of the French Royal mint at … Wikipedia Nicolas Jenson - Nicolaus Jenson, portrait Nicolas Jenson (1420 in Sommevoire, France – 1480 in Venice, Italy) was a French engraver, pioneer printer and type designer who accomplished most of his work in Venice. Contents 1 Biography 2 Type design 2.1 FF Scala and FF Scala Sans … Wikipedia Martin Majoor - (Baarn, 14 October 1960) is a Dutch typedesigner and graphic designer. Serif - For other uses, see Serif (disambiguation). the general character or appearance of printed matter. the work of setting and arranging types and of printing from them. the art or process of printing with type. The book is notable for devoting entire chapters to the development and uses … Wikipedia ISBN 9-2.Ĭentaur (disambiguation) - Centaur may refer to:* Centaur, a mythological creature * Centaur, a 20th century serif typeface based on Renaissance models * Centaur Technology, a CPU design company * Centaur (minor planet), a minor planet orbiting between Jupiter and Neptune… … WikipediaĪnatomy of a Typeface - is a book on typefaces written by Alexander Lawson and First published in 1990 by David R. "Printing Types Their History, Forms and Use." Dover Publications, Inc: 1937, 1980. "Revival of the Fittest: Digital Versions of Classic Typefaces." RC Publications: 2000. "Typographic Specimens: The Great Typefaces." Wiley: 1993. *Lawson, Alexander S., " Anatomy of a Typeface". ![]() "Typography: An Encyclopedic Survey of Type Design and Techniques Through History." Black Dog & Leventhal: 1998. *Fiedl, Frederich, Nicholas Ott and Bernard Stein. "20th Century Type." Yale University Press: 2004. Rogers later added the Roman lowercase, and the italic, based upon Ludovico Arrighi’s 1520 chancery face, was drawn by Frederic Warde, and is the typeface released for general use in 1929 by the Monotype Corporation Ltd. The 1929 typeface Bembo, is based primarily upon that specimen. Centaur also shows the influence of types cut by Francesco Griffo in 1495 for a small book titled "De Aetna" written by Pietro Bembo. Rogers' primary influence for the Roman was Nicholas Jenson's 1475 "Laertis," considered the model for the modern Roman alphabet. The typeface is based upon several Renaissance models. Centaur is an old style serif typeface originally drawn as titling capitals by Bruce Rogers in 1914 for the Metropolitan Museum of Art.
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